Summer Intensive
Welcome to the Civic Dance Centre, official dance school of the Scranton Civic Ballet Company. The Scranton Civic Ballet Company was founded in 1978 by Northeast Pennsylvania's most respected dance instructor, Miss Helen M. Gaus. Originally as a regional resident company, the Scranton Civic Ballet Company is at the forefront of ballet and the performing arts in Northeast Pennsylvania.
Our school makes every effort to instill in its students the discipline and knowledge needed to approach learning in a professional way, whether one's intent is to become a professional dancer or to learn the rigorous discipline of dance to carry oneself through life.
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At "Civic," we believe that our role is to guide young dancers through increasingly disciplined levels of dance in a friendly, caring atmosphere. Creative energy, gracefulness, a heightened awareness of music and musicality, and a focus on technique are only some of the benefits our programs have to offer. The Scranton Civic Ballet Company is dedicated to bringing quality dance training within reach of young dancers to make dreams a reality.
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The Scranton Civic Ballet Company is a non-profit organization focused on dance education and performance. It is the company’s mission to educate our members and the public in the art of dance while bringing the talents of well-known artists, choreographers, and master teachers into northeast Pennsylvania for the benefit of our students as well as our audiences.
Welcome to the Civic Dance Centre, official dance school of the Scranton Civic Ballet Company. The Scranton Civic Ballet Company was founded in 1978 by Northeast Pennsylvania's most respected dance instructor, Miss Helen M. Gaus. Originally as a regional resident company, the Scranton Civic Ballet Company is at the forefront of ballet and the performing arts in Northeast Pennsylvania.
Our school makes every effort to instill in its students the discipline and knowledge needed to approach learning in a professional way, whether one's intent is to become a professional dancer or to learn the rigorous discipline of dance to carry oneself through life.
​
At "Civic," we believe that our role is to guide young dancers through increasingly disciplined levels of dance in a friendly, caring atmosphere. Creative energy, gracefulness, a heightened awareness of music and musicality, and a focus on technique are only some of the benefits our programs have to offer. The Scranton Civic Ballet Company is dedicated to bringing quality dance training within reach of young dancers to make dreams a reality.
​
The Scranton Civic Ballet Company is a non-profit organization focused on dance education and performance. It is the company’s mission to educate our members and the public in the art of dance while bringing the talents of well-known artists, choreographers, and master teachers into northeast Pennsylvania for the benefit of our students as well as our audiences.
HELEN GAUS'
THE NUTCRACKER
Music
Peter Ilyitch Tschaikovsky
Choreography
Helen Gaus
PERFORMANCE DATES
THE THEATER AT NORTH
FRI.
DEC. 8
10:00 AM
*EDUCATIONAL PERFORMANCE*
FRI.
DEC. 8
7:30 PM
SAT.
DEC. 9
2:00 PM
CREDITS
Music
The Nutcracker (1892)
Premiere
December, 1986, Masonic Temple
Original Cast
***
Costumes
Helen Kasarda
Current Set
JE Tellier
Current Lighting
Dave Yezefski
Helen Gaus’ The Nutcracker showcases all of our Pre-Professional ballet students in a breathtaking, holiday classic. The production shares the timeless tale of Clara, Drosselmeyer, the Sugar Plum Fairy, and all of Tchaikovsky's musical sprites portray the enchanting spell.
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SYNOPSIS
ACT I:
It is Christmas Eve and Dr. and Mrs. Stahlbaum are giving a party for their children, Clara and Fritz, and their friends. Drosselmeyer, Godfather to Clara, arrives with his nephew bringing presents, and amuses the children with mechanical dolls and feats of magic. He gives a nutcracker in the shape of a toy soldier to Clara. Fritz, jealous of Clara’s present, snatches it from her and, in a tug of war, it is broken. Drosselmeyer repairs the doll and, once again, merriment and dancing resumes in the Stahlbaum household.
As the festivities come to a close, the guests leave and the children are put to bed. Clara, unable to sleep, sneaks downstairs to see her nutcracker. She falls asleep and dreams of the evening’s festivities. Drosselmeyer reappears and casts a spell over the entire room as Clara sleeps. Her dream quickly turns into a nightmare as she is awakened by the magic of Drosselmeyer. The dolls come to life, the tree begins to grow to gigantic proportions and the room is overrun by giant mice who terrify Clara.
Toy soldiers come to Clara’s defense and battle with the mice. Just as it seems like the mice will win, the Nutcracker Prince appears and battles with the Mouse King. When all seems lost, Clara distracts the Mouse King by hitting him with her slipper, and the Nutcracker Prince slays the Mouse King.
With the Mouse King dead, the spell cast on the Nutcracker Prince is broken and he quickly turns back into a handsome prince. Grateful to Clara, the Prince invites her to come with him to the Kingdom of Sweets. On their way, they pass through a thick fir forest where snowflakes waltz across the enchanting winter landscape.
ACT II
As the Prince and Clara reach the Kingdom of Sweets, they are greeted by a host of angels. Clara than meets the Ruler of the Kingdom of Sweets, the Sugar Plum Fairy and her Cavalier, and they are entertained by a series of dances that represent Chocolate from Spain, Coffee from Arabia and Tea from China, as well as Ribbon Candy and Mother Ginger and her children.
The Sugar Plum Fairy and her Cavalier then enchant Clara with a beautiful Pas de Deux. Next, the beautiful Dew Drop Fairy and her graceful Waltz of the Flowers cascade in front of Clara.
Clara is so distracted by the Flowers that she is unaware of Drosselmeyer’s return. Her dream comes to an end as her new found friends slowly disappear and is left in the arms of the Nutcracker Prince.